WHEN PLACES SPEAK is a photography exhibit that provides a forum for places associated with trafficking to tell their story: from places where victims are recruited to places used by purchasers to meet victims, places used by law enforcement to stop trafficking, and places where victims can transition. By starting dialogues around the places sex trafficking touches, we can shed light on the fact that it is happening here, in our neighborhoods and communities.
Cebu City (2020)
Cebu City is the Philippines’ main domestic shipping port, home to about 80% of the country’s domestic shipping companies. As the second largest metropolitan area in the Philippines by population, economy and land area, the city is a sex trafficking hot spot.
Photographs by Neil Nanta, Jacques Rodriguez, Marvin Lyle Cabanlit, Calvin Martin Weigel, and Marian Villa.
Los Angeles (2020)
In the words of photographer Petros Toufexis: As I was walking through the various areas of Los Angeles to photograph places where trafficking occurs, I was always trying to see these places through the eyes of an underage youth who was a victim. A window or a street cannot speak in our own language but they do speak, and they say “open your eyes.”
We want to thank people and organizations who helped in this effort:
Reflections from viewers who had visited the When Places Speak – Minneapolis exhibit demonstrate how connecting with the places where trafficking occurs, raised students, faculty, staff and the general public’s awareness and got them thinking about the role they can play:
When I look at these photos I ask: What happened here? Who sorrowed? Who comforted (if anyone)? Whose child was here? How can I help? What stories do these places keep? How can we support and help?
Disturbingly brilliant!
Silly me, I expected prostitution recruitment places to be much more obvious to the individual eye. The fact that all these places scream “normalcy” shows the difficulty in easily identifying them (for those who care).
Each of the photos viewed up close, individually, was very nice as “art.” Stepping back, seeing several together from the middle of the room, the connections became apparent—and unsettling. These are not exotic “somewhere else’s” – these are here, now, and all around us. Very effective.
